Seven sensitive interventions to ancient structures and historic ruins

Seven sensitive interventions to ancient structures and historic ruins
Colosseum piazza by Stefano Boeri Interiors

Our latest roundup looks at sensitively designed additions to historic sites around the world, including the Colosseum in Rome, the ruins of an English castle and a Viking archaeological site in Iceland.


Clifford's Tower observation deck by Hugh Broughton Architects
Photo by Dirk Lindner

Clifford's Tower, UK, by Hugh Broughton Architects

For its restoration and revamp of the 800-year-old Clifford's Tower, which once formed part of York Castle, British studio Hugh Broughton Architects designed a freestanding timber structure slotted inside the ruin's empty stone shell.

A viewpoint overlooking the city tops the wooden intervention, and inside, suspended walkways give visitors access to a chapel and a toilet originally built for King Henry III.

Find out more about Clifford's Tower ›


Ancient Colosseum piazza intervention by Stefano Boeri Interiors
Photo by Simona Murrone

Colosseum piazza, Italy, by Stefano Boeri Interiors

Italian studio Stefano Boeri Interiors revamped a semi-circular piazza outside Rome's iconic Colosseum amphitheatre, replacing the cobbled ground with travertine slabs and adding 44 stone benches.

The studio aimed to recall the original Roman structure, which was built in AD 80, by positioning the benches in the footprints where columns of an outer wall once stood.

Find out more about the Colosseum piazza ›


Ancient Viking shelter restoration by Sp(r)int Studio
Photo by Claudio Parada Nunes

Stöng, Iceland, by Sp(r)int Studio

Architecture firm Sp(r)int Studio restored and extended the 1950s timber structure sheltering Stöng, an archaeological site containing ruins of a Viking longhouse and farm settlement in Iceland.

Seeing potential in the existing shelter, which had fallen into disrepair, the structure was reinforced with galvanised steel frames, its exterior lined with larch wood slats, and polycarbonate panels were added to the gabled roof.

Find out more about Stöng ›


Zhang Yan Cultural Museum in China
Photo by Su Shengliang

Zhang Yan Cultural Museum, China, by Shenzhen Horizontal Design

A white concrete structure built within the ruins of a dilapidated home from the late Qing dynasty is one of the three galleries that make up the Zhang Yan Cultural Museum, located in the suburban Shanghai village of Zhang Yan.

The museum was designed by architecture studio Shenzhen Horizontal Design to demonstrate how old, rural architecture in China can be reused.

Find out more about Zhang Yan Cultural Museum ›


Intervention at the ancient Pantheon in Rome
Photo by Alessandro Penso

Beyond the Pantheon, Italy, by STARTT

A previously inaccessible archaeological site behind the ancient Pantheon temple in Rome was opened up to the public through a series of "micro-architectures" designed by Italian architecture studio STARTT.

A route that doubles as an exhibition space connects the Pantheon's rotunda and the apse of the Basilica of Neptune, populated with a series of steel and stone additions that contain a lift, toilets and storage.

Find out more about Beyond the Pantheon ›


Seddülbahir Fortress revamp by KOOP Architects
Photo by Egemen Karakaya

Seddülbahir Fortress, Turkey, by KOOP Architects

Situated at the top of Turkey's Gallipoli Peninsula, the 17th-century Seddülbahir Fortress was revamped by Turkish studio KOOP Architects to contain enclosed and open-air exhibition space.

In a nod to the damage the stone ruins sustained during world war one and subsequent earthquakes, KOOP Architects created an outline in timber slats of the silhouette the fortress previously had.

Find out more about Seddülbahir Fortress ›


Folding church roof by Medprostor
Photo by Miran Kambič and Tadej Bolta

Žiče Charterhouse, Slovenia, by Medproster

To protect this 900-year-old Romanesque church and make it more functional for tourists, local studio Medprostor installed an operable folding roof over the open structure.

Located in Slovenia, the studio used black steel, blackened wood and dark slate tiles in the half-gable roof system to distinguish it from the church's original masonry.

Find out more about Žiče Charterhouse ›

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